Author Archives: sean

31 Scary Movie Mini Reviews 2024 – Part 2

Posted by sean

Every October I watch and write mini reviews for 31 scary movies. It’s the last day of October 2024, so here are my final 16 reviews.

Scary Movie Mini Review #16: House of Usher (1960) Directed by Roger Corman

Another Poe story from schlock master Roger Corman, who used his schlock money to make these artful Poe adaptations. The fiancé of a wealthy woman visits her family’s brooding gothic home. He finds both her and her brother in a sickly and fragile state, claiming to be cursed and unable to leave. The house is literally crumbling around them. If you’ve read the Poe short story, you know how it ends, though Corman never stuck that faithfully to the text, and deviates pretty wildly on some major plot points here.

House of Usher has atmosphere for days, a striking technicolor palette and grand, melodramatic acting and music. The concrete soundstage floor in some scenes is a bit distracting, but the otherwise elaborate house sets make up for it, as does the sound design and simple yet effective visual effects. There are even some crane shots and camera moves that feel strikingly modern, as well as a gorgeous color-tinted nightmare sequence. I particularly liked the creepy paintings of past Usher family members and the house itself, done in a wild neon abstract style that’s as creepy as it is anachronistic. Corman always got the maximum bang for his buck, and House of Usher has plenty of bang.

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31 Scary Movie Mini Reviews 2024 – Part 1

Posted by sean

Every October I watch and write a mini review for 31 scary movies. Since we’re half way through October, here are the first 15 reviews:

Scary Movie Mini Review #1: Beetlejuice Beetlejuice (2024) Directed by Tim Burton

Tim Burton’s 1988 film Beetlejuice is not a great movie, but its weird story and inventive visuals have captured viewers imaginations for decades, and I’ll admit that I enjoy it myself, though it’s always felt a bit shallow. Beetlejuice Beetlejuice is just as shallow, but also feels like multiple sequels crammed into one. There are at least three subplots in this movie that could have easily been their own more clearly defined stories. I suspect this script started out as a TV series that was then condensed into a feature.

Tim Burton is at peak Tim Burton here and clearly having a non-Disney blast. The visuals are striking and it’s nice to see so many practical makeup effects and sets. It’s also fun to have talents like Catherine O’Hara, Winona Ryder and Jenna Ortega riffing off each other, though it’s sometimes difficult to understand their motivations. The rich artistic yuppie vs mortality-obsessed goth dynamic from the first movie has become confusingly blurred with these characters as they’ve aged. Keaton’s Beetlejuice performance has actually gotten better with time. He’s great.

I was ready to give up on Beetlejuice Beetlejuice as just another nostalgic cash grab crammed with too much plot, but then the third act happened. Burton goes so bonkers here that I had to admit he was doing something special, something more than just another fan pandering sequel. I only wish he could have paired this ultra-silly, anything goes cinematic energy with more disciplined storytelling.

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Trying out the new Blackmagic Cinema Camera 6K

Posted by sean

I’ve been a huge fan of Blackmagic Design cameras since I purchased the original Blackmagic Pocket Cinema Camera over a decade ago. They’re a company that knows how to make an incredibly powerful and versatile cinema camera at an affordable price for an indie filmmaker like myself, and using their cameras to make my short films look more filmic by adapting vintage lenses to them and using all sorts of color grading methods has been a real pleasure. Recently I was able to demo Blackmagic’s first full frame camera for Fotodiox, showing off some of Fotodiox’s L-mount adapters in the process. Here’s my full demo video:

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I was really impressed by the quality of the BMCC6K’s image, and I loved the full frame open gate look. It felt a bit like shooting in IMAX. Like all cinema cameras, there are some limitations. It’s not the easiest camera to hand hold without a stabilized lens, and it works much better on a tripod, but I’ve been meaning to shoot in a more locked down style anyway :)

Here’s a demo video I shot with the Cinema 6K and a 14mm Rokinon lens.

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As much as I love this camera, I’m still pretty happy with my Pocket 4k and Sony A7S II, although I may consider using one in the future. It was a great experience shooting with it for a week!

Sean’s Top Nine for 2023

Posted by sean

Here are my top nine most liked photos on Instagram for 2023. They’re fairly representative of my year, from shooting lots of photos with my various Holga cameras to experimenting with Polaroid film and some new point and shoots to collecting rare cameras and celebrating our first wedding anniversary! It’s interesting that some of my most low-contrast, funky color film photos got the most love. I get it guys, you like that retro film look :) Thanks for all the support this year! – Sean

Check out my Instagram here: https://www.instagram.com/seanandersonmedia/

31 Scary Movie Mini Reviews 2023 – Part 2

Posted by sean

Every year in October I try to watch and write about a scary movie for each day of the month. Here are my last 16 Scary Movie Mini Reviews for October 2023. Enjoy!

Scary Movie Mini Review #16: One Cut of The Dead (2017) Directed by Shin’ichirō Ueda

Here’s a fun one from Japan: filmmakers making a low budget zombie movie run into real zombies? This movie requires zero spoilers to fully enjoy so I won’t give you any. But if you don’t mind some splattery zombie gore, it’s a fun ride. That’s it. That’s all I can say. Watch it, it’s awesome! (I should watch more zero spoilers movies because writing the reviews for them is so easy.)

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31 Scary Movie Mini Reviews 2023 – Part 1

Posted by sean

Last year I reviewed 31 scary movies, one for each day of October. This October I’m doing it again! Today is halfway through October, so here are the first 15.

Scary Movie Mini Review #1: Kiss of the Vampire (1963) Directed by Don Sharp

This lesser Hammer Horror film has a garish poster that promises “giant devil bats summoned from the caves of hell to destroy the lust of the vampires!” Not surprisingly, the bats are normal sized cheesy rubber puppets on fishing line. Despite that, this movie has a unique tone to it, something surprisingly magical and haunting that’s abandoned in the goofy and rushed climax. 

A newlywed couple are on their way by motor car to their honeymoon. They break down somewhere in the German mountains near a castle, and of course there’s a menacing man watching them from a castle window. They end up at a strangely empty inn and are invited to sup with the wealthy doctor and his children who live in the castle. Unsurprisingly the doctor and his children are vampires, but they’re a different type, more satanic personality cultists than undead blood suckers. The young wife is slowly lured into this cult’s clutches, and the husband and local Van Helsing wannabe must save her. All this is rote cliché, but what stands out as unique is the slow, menacing pace and tone, the texture of long gray rainy days and gloomy moonlit nights. These vampires remind me more of the secret society in Eyes Wide Shut than the Draculas in countless vampire flicks, and their menace is more in the way they corrupt your soul than your blood. It’s a pity that the ridiculous rubber bats flap in at the end and ruin everything.

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