Life As It Is Now

Life’s been pretty hectic lately. My college professors seem to like cramming a lot of assignments into the last few weeks of a semester. I’ve been getting up extra early in the mornings to try to knock everything out. I find that the hardest assignments aren’t as hard as they seem once I plunge headlong into them, especially when it’s early in the morning and I’m motivated by the fear of failure.

I’ve been writing a lot of poetry lately. Fragments pop up in my class notes like this one:

They tasted the morning:
Cold shuddering air,
Delicious womb-warm sleep.
They scalded it with coffee,
Scolded it with self-important words,
But they crawled back to it at midnight.

Pretty much how I feel when people I know try to undervalue sleep. You just can’t disregard sleep. It will come for you eventually and show you who’s master.

Trying to figure out my summer. Intern in my school’s film production or home to work? Both options have their pluses and minuses. I need to get things squared away soon though.

Working on few video projects, none of which are anywhere near completion. I also have a new idea for a film. It’s crazy but it might work. We’ll see . . .

Toys vs. Treasure

In Dr. Bob’s chapel message today he used a really good C. S. Lewis quote:

“I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world and my only real treasure is Christ.”

C.S.Lewis, The Problem of Pain, (1940)

I really like what Lewis says here, and I can really identify with it. So often I let the “toys” in my life, the gifts that God has given me, replace the real reason I live, to enjoy the gift giver himself. He is a treasure so much better than these finite things, things that can be lost and destroyed so easily.

Spontaneous Acts of Worship

I’m really blessed to live on a very spirit-filled hall here at school. Last semester my hall leader Mark would lead worship in the hall almost every night at around 10:45. Anyone on the hall with an instrument was welcome to join in. We had some great times worshiping the Lord and I hope we continue the tradition this semester. Here’s an example of some of the spontaneous worship that broke out last year.

Click here to listen.

The Age of Disney Live-Action

In the 60s and 70s Walt Disney Studios produced an array of live action family films. I grew up watching these films: “That Darn Cat,” “Blackbeard’s Ghost,” “The Apple Dumpling Gang,” and my personal favorite, “The Love Bug,” starring that most endearing of Volkswagen Beetles, Herbie. I remember going to the library every week or so and checking out another one, and making popcorn and watching them as a family. I think one of the reasons I’m studying film-making today is because of how important these films were to me. They weren’t the most intelligent or artistically made, but they told fun, fantastic stories focused mainly on characters, not on special affects like many family films today. I find it interesting that Disney managed to make so many successful films that were still suitable for the entire family. Not as easy to do today apparently.

Turner movie classics is airing a series of 27 of these films over the holiday season, plus a documentary on them called “The Age Of Believing: The Disney Live-Action Classics.” Their website here has clips and synopsises for each film and is a real blast from the past. I really have to watch some of these again.

New York, New York

Just visited New York city last weekend on an art trip and I must say, it lives up to all of the hype. Truly, in New York you can forget how to sit still. It is a heck of a town, people do live in holes in the ground and it’s not a good idea to eat the gum on the sidewalks.

It was a quick three days. On the first day we visited the Met, one of the biggest art museums in the world. To say it was exhausting would be an understatement. We saw everything from ancient Egyptian mummies to modern American art. In the evening we dined at a cafe in little Italy after bartering with numerous street barkers for the right deal. (like this guy)

On day two, we visited Central Park. It was gray and misty, but the sun broke through for a while and it was beautiful. Central park is huge! We even saw a turkey roaming the grounds!

In the afternoon we headed up to the Garment district and a well-hidden fabric store where the contestants of the Project Runway TV show get their fabric. In the evening we visited the Moma (Museum of Modern Art.) Very strange stuff. A few times I just had to laugh at the goofy pretentiousness of it all.

Day three and we visited the museum of Biblical art. There was a Chagall exhibit that was amazing. He’s my new favorite artist! In the afternoon we stood in line at the Fox TV studio and got to be in the audience for a taping of the brand-new Mike Huckabee show (yes, the one that ran for president.) It was cool to be on a real TV set, and we got to meet Governor Huckabee after the shoot. In the evening we visited Rockefeller Center and Time Square then called it a night.

Overall an awesome trip!

Shooting Ridgeback

A crisp November afternoon in South Carolina. We wait on the lawn outside of Unusual Films for our actor. When he arrives, we pile into James Lee’s big red luxury van and trundle across the border into the North Carolina mountains. On the way, we swap stories of films and film projects we’ve worked on, typing at laptops, twiddling with ipods and just generally enjoying the fall landscape. As the we approach the mountains, highways become narrow winding roads and we begin to climb higher and higher, the flat landscape we came from unfolding below us through flashing orange and golden leaves. almost two hours in, we’re very high, leaning dangerously on the curves over steep wooded ravines. We pull up at a gravel road and hike the heavy equipment in, up a forested path of rocks. We reach an outcropping and a mass of giant boulders that we have to climb, passing the fragile film equipment up piece by piece. Over a little bridge that spans a narrow gap and out onto a huge rock, we’ve reached our destination, a mountain ridgeback, jutting out of the forested hills and affording a gorgeous view of red and yellow trees  descending like streams into the purple plains and rivers below. The sky is pure blue, the air crisp and clean. We wait for the sun to lower, huddling under our hoodies from the growing chill. Then, when the sun is just right, when magic hour makes the distant landscape recedes into a glowing purple, we start into our shoot. It is a good day to be a film student.

Happy Halloween!

Last weekend I helped my friend out at the school he works at. The school building had been transformed into a “haunted house,” complete with strobe lights, skeletons and an army of junior high kids in monster costumes. They ran out of costumes for the volunteers, so I had to be content with the old “zipped-up coat headless man” gag. As hordes of grade school children tromped through the creepy maze we’d created, some laughing and some crying, I was reminded of all the things I love, and hate about Halloween.

As a Christian growing up in a Christian family, Halloween was tough. For a few years we trick-or-treated, then we felt convicted and only gave out raisins, then one year we pretended we weren’t home. One of my favorite Halloweens was only a few years ago. We were visiting our Grandpa Bob, and it just so happened that the community he lived in celebrated trick-or-treating when you’re supposed to–at night in the dark! My brothers and I dug through some closets and created our own costumes from scratch. It was a fun night!

I think the problem that most people have with Halloween isn’t so much with its pagan origin (Christmas comes from the same pagan traditions for goodness sake!) than with its celebration of death. As I stood ominously in my assigned corner last weekend, waiting for more kids to scare, I heard the junior high kids across the hall screaming bloody murder and acting as ghostly victims of horrible murders, in what amounted to “an odd confluence of a youthful exuberance celebrating an ominous restless afterlife.” (Michael Koresky-reberseshot.com)

Does God want us to celebrate Halloween? One of my Bible teachers here at school says yes. His argument is that Halloween as it stands today is a costume party for kids who love candy, and that being out there in your neighborhood, handing out candy, even letting your kids participate, is a good way to witness the love of Christ to those around us. We shouldn’t celebrate death as some do on this day, but by celebrating Halloween as it is now, we can connect with those in our community in a way that is growing harder and harder these days. So, with a clean conscious before Christ, Happy Halloween everyone! Just don’t go to that house–they’re handing out raisins.

Why Candy Corn Is Awesome


Why is candy corn awesome you may ask? Here’s why:

SUGAR, CORN SYRUP, SALT, HONEY, GELATIN, CONFECTIONER’S GLAZE, DEXTROSE, ARTIFICIAL FLAVOR, TITANIUM DIOXIDE COLOR, YELLOW 6, YELLOW 5, RED 3. BLUE 1.

THAT’S why!

Three Incredible, Crazy Projects!

Life has been extremely crazy-hectic for me these past few weeks! I’m involved with three incredible projects that have been taking up all of my free time, and some of my homework time too! (contorts face in mock pain)

Project 1: James Lee’s senior film. Its called “Ridgeback” and involves a monster in a crate. That’s all I’m at liberty to say right now. My job on the project is assistant set designer. Basically, James designs the sets and I offer helpful advice. Mostly, I’ve been cutting old wood up to nail to the walls of the “backstage” set that we’re in the process of building, which is turning out to be really amazing! Check out this picture!

Project 2: The Silver Chair. This is really going to be cool. It’s a one-hour adaptation of one of C. S. Lewis’s classic Narnia stories and we’re performing it on a minimalist set under a gazebo at night! Sam Gubitz, an incredibly crazy woman, is the creator and director and we’ve been practicing about 9 hours each week. I’m playing the part of Eustace Scrub. Its been demanding, but a lot of fun.

Project 3: Project London. One of my brilliant internet associates, Ian Hubert, along with producer Phil McCoy and Spiral Productions, are making a highly epic sci/fi flick up in Washington state. I managed to get a volunteer job on the crew doing sync work. I’ll be getting footage in the mail soon, which I’ll sync audio too. Not the most exciting job, but I’m still really pumped to be on the crew of such a potentially awesome film. Check out the project’s blog site here.

So yeah, lots of stuff going on for me right now. Life will be simpler after Silver Chair is over in November, but I’m loving every minute of it, I’m going on an on-location mountain shoot with James Lee this Saturday in North Carolina, which will be an incredible experience, and  when I get the footage from Project London, I’m sure I’ll be really busy with that too. All in all I feel very blessed to have all these projects to work on and learn from.

12 Hour Dream Marathon

Sleeping for a stretch of twelve hours brings a plethora of dreams:

I sit talking with my roommates on a huge hide-a-bed in our dorm room. Our PC walks in with a serious look on his face. He quickly finds the huge pile of uncheckable DVDs on the shelf, the M rated games laying all over the floor, the celebrity magazines and posters all over the walls, and all the rap music in my itunes library. BUSTED!!!! I can’t remember having  any of these things in my room. I try to explain this to him, but he leaves quickly, grimacing threateningly as he goes.

Checking into BJU at the beginning of the semester. Much confusion and confrontation in regards to check-in regulations. Mrs. Vick tries to help us as much as she can. We remember a tunnel at the back of the Alumni building made up of a labyrinth of school halls and un-openable doors, seeming to stretch to infinity, that we used to play in: an exact replica of the mines of Moria. We go to see it, but all that is left is a vast empty gym, where a new structure of caves is being constructed with plywood, named “The Sword-Room” obviously a less frightening, more child friendly replica of a castle. Not half as cool. We miss the Labyrinth.

Unable to check into our rooms, we decide to go to McDonalds. I lag behind and miss my ride. A classic red phone booth pulls up, piloted by none other than “Shaun of The Dead’s” own Simon Pegg, dressed in a Knight Bus uniform. John Lithgow and Mos Def are also along for the ride. We speed down the highway at a ridiculous rate. Mos Def supplies ebonic shrieks of comic relief. We miss McDonalds, hit a bump and fly into the air, smashing into the glass wall of an opulent mall. We fall two stories onto the hard marble floor. Lithgrow and Def miss the top level and fall all the way down to the ground level. Simon and I peer over the edge, afraid of what we will see. The rest of the people in the mall freeze, breathless. Lithgrow scrammbles to his feet. He’s alive and relatively unharmed! But what about Mos Def? “He’s also OK!” a news reporter announces happily from the scene, as our captive audience bursts into applause.

I drive an unidentified invisible vehicle through an overcrowded Gurnee Mills, approaching the food court. A cousin hands me a car phone. On the other end is David Letterman and Fiona Apple. I’m told I’m “on the air” and “What question do you have for Fiona caller?”  I stutter, first verifying who I’m talking to, then trying to think of something to say. “Hi Fiona, My sister loves you. Could you say hi to Kristin?” “Hi Kristin!” she bubbles back. Am I talking to Apple, or is this Regina Spektor? I swerve to avoid an Annie’s Pretzels stand. The cousins pile out, along with my brothers. We spend a long time trying to figure out what to order at the McDonalds. As we sit down, awaiting our blueberry slushies and chocolate chip cookies, Kristin shows up. I tell her excitedly what I said to Regina. Kristin doesn’t seem surprised. She smirks a little. “I was on the phone all morning calling the show. I must have used five different accents!” she says. Oh well!

We’re back home in Waukegan. All of my DVDs are arranged on my blue shelf, along with many more I’ve never seen. Why are we back? Didn’t we move? David comes in and greet me. He grabs a Terminator DVD and heads to the basement. I enter the kitchen. Mom and Dad are sitting at the kitchen table. Mom informs me that we are on vacation and that the new owner is letting us borrow the house for a week. I ask about the return of the furniture. Dad tells me that we moved some of it back so we’d feel more comfortable. Hmmm.

I wake up after another few random streams of consciousness ping my brain. Nothing else sticks though.

A Question of Violence

As a christian filmmaker, I’ve always struggled with portraying violence in films. On one hand, violence is an integral part of conflict, which is part and parcel of what storytelling is about. To portray a realistic world, one where sin prevails, violence is essential. On the other hand, as a follower of Christ I am commanded to not glorify sin. Glorifying a product of sin is glorifying sin. By portraying violence in an exalted, emphasized manner, one that focuses on the violence as entertainment rather than as an aspect of story conflict, an artist is committing sin. Destroying the human body, a body that we are told is “The image of God”, solely for entertainment, is a deeply disturbing concept to me. This is why I hate films like “Saw” and “Hostel”. Last year I watched a short film on studentfilmmakers.com that aped the style of these films. I was troubled by what I saw and sent this message:

The film “Murdergenic” on the Summer Shorts ’07 contest page is EXTREMELY
offensive. Its portrayal of the twisted destruction of human life is
inappropriate for an educational website. I respectfully request its
removal.

Deeply disturbed,
Sean Anderson

I had not heard back from anyone at studentfilmmakers.com, and until recently, I had forgotten I ever sent such a message. Until today, when a representative finally replied:

Was it for example something not as evil but still along the lines of the
“…twisted destruction of human life is inappropriate…” as the
destruction of the life of the most and only devoted King of Eternity when
he walked the earth as a man and was nailed to a cross?

Truly
Kim

I’m not sure if Kim is a Christian. She might have visited my website and realized that I was. She makes an interesting point though. If Christ died such a terrible death on the cross, why can’t we portray similar death in our art? She doesn’t really address the film in question though. Here’s my reply:

Hey Kim,

I remember making this comment almost a year ago. I’d forgotten I wrote it. Thanks for getting back to me though. If I were you, I would have just ignored me. As I recall, the video in question was of an extended scene of torture, mostly mental, ending with a man brutally murdering a young woman, then, in the next scene, committing suicide. As far as I could tell, the filmmakers weren’t making any deep comments about sin or death, they were just emulating their depraved elders responsible for the Saw and Hostel franchises.

As a Christian, I understand the importance of violence. Christ’s death was the most violent and painful death anyone could ever face. Christ died for us, and it was only through such a severe sacrifice that he could pay for our sin. As a Christian I have the responsibility to remember and dwell upon that death, in all its ugliness, so as to worship Christ even more for what He did for me. But as a Christian, I also have the responsibility to create art that is not celebrating the sin that Christ died to cover. Exploiting a scene of such horrendous violence and doing so in such a graphic way has no place in my life. As a filmmaker I believe I should realistically portray the sin in this world, but not in such a way that would glorify that sin. I feel that this film, as well as the majority of slasher and horror films being produced today, glorify and celebrate sin.

These students have as much a right to make this film as I have to complain about it. We live in a free country, and I am proud of that fact. The truth is, this film deeply troubled me. I had trouble sleeping at night, even thinking clearly in class. I thought that if I was so painfully affected, others would be as well, and I wanted the staff at your website to consider this.

Thank you for your time,

Sean Anderson