Queen Anne: Shooting a short film entirely on pinhole

I’ve always been fascinated by stories set in one location. When I was young I was startled by the old time radio dramatization of Sorry, Wrong Number, a twisted tale about an invalid woman stuck in her apartment bedroom who slowly realizes one evening that she’s being stalked by a killer. I also had the idea growing up that if there were ghosts, they stayed in one place, way out in the middle of nowhere in the cold and dark, alone and unmoving. I’d look out the window on starless winter evenings driving home from my grandparents’ farm imagining lost souls in the black tree lines miles from the road, standing motionless in the sharp cold, listening to the trees creaking in the wind.

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